LABOUR + CAPITAL

McRobbie, Angela “CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS” Cultural Studies Volume 16, Issue 4, 2002 pages 516-531

McRobbie, Angela “Reflections on Feminism, Immaterial Labour, and the Post-Fordist Regime” New Formations, Vol 70, 2011

Murdock, Graham (2003) “Back to Work: Cultural Labor in Altered Times” In Andrew Beck (Ed.) Cultural work: Understanding the cultural industries. London York: Routledge, pp. 15-36.

Nardi, Carlo “Performing Electronic Dance Music: Mimesis, Reflexivity And The Commodification Of Listening / ‘Performando’ A Música Eletrônica Dançante: Mímese; Reflexividade E A Comodificação Da Escuta” Contemporanea / Comunicação e Cultura Vol. 10, No. 01, Janeiro-Abril 2012, pp 80-98

Petiau, Anne “Free Parties and Teknivals: Gift-Exchange and Participation on the Margins of the Market and the State” Dancecult Vol 7, No 1 (2015)

Reitsamer, Rosa “The DIY Careers of Techno and Drum ‘n’ Bass DJs in Vienna” Dancecult Journal of Electronic Dance Music Vol 3, No 1. 2011

Ross, Andrew “Technology and Below-the-Line Labor in the Copyfight over Intellectual Property” American Quarterly, Vol 58, Issue 3, 2006

Sandoval et al.“Introduction: Philosophers of the World Unite! Theorising Digital Labour and Virtual Work—Definitions, Dimensions, and Forms” tripleC Vol 12, No 2 (2014)

Scott, Michael “Cultural Entrepreneurs, Cultural Entrepreneurship: Music Producers Mobilising and Converting Bourdieu’s Alternative Capitals” Poetics Vol. 40, Issue 3, June 2012, pp. 237–255

SMITH^, RICHARD J. & MAUGHAN^, TIM “Youth Culture and the Making of the Post-Fordist Economy: Dance Music in Contemporary Britain” Journal of Youth Studies Volume 1, Issue 2, 1998 pages 211-228

Stokes, Martin. “Marx, Money, and Musicians”. In Regula Qureshi (Ed) Music and Marx: Ideas, Practice and Politics. Psychology Press, 2002, 139-166. New York: Routledge.

Straw, Will “Exhausted Commodities: The Material Culture of Music” Canadian Journal of Communication Vol. 25, No 1, 2000

Terranova, Tiziana “Free Labor: Producing Culture for the Digital Economy” Social Text 63 (Volume 18, Number 2), Summer 2000 pp. 33-58 |

Thaemlitz, Terre (DJ Sprinkles) “iPod is Raping the Rapists Who Raped My Village
An economic overview of contemporary audio production” (Originally published in “Zehar: Revista de Arteleku-ko Aldizkaria,” (Spain: Arteleku, No. 55, 2005).

Thaemlitz, Terre (DJ Sprinkles) “Operating in Musical Economies of Compromise
(Or… When do I get paid for writing this?)”Organised Sound (UK: Cambridge University Press), December 2001, Volume 6, Number 3, pp. 177-184.

Thaemlitz, Terre (DJ Sprinkles) “The Revolution Will Not Be Streamed On The Internet” Post-Techno(logy) Music. Tokyo: Ohmura Shoten, 2001, pp. 181-186.

Thaemlitz,Terre “Art Is Unavoidably Work”: Terre Thaemlitz Interviewed by Ryan Alexander Diduck Quietus June 20th, 2012

Tolentino, Rolando B. “Macho Dancing, the Feminization of Labor, and Neoliberalism in the Philippines”. TDR Vol. 53, No. 2 , Summer 2009, 77-89

Toynbee, Jason (2003) “Fingers To The Bone or Spaced Out On Creativity? Labor Process and Ideology in the Production of Pop” In Andrew Beck (Ed.) Cultural work: Understanding the cultural industries. London York: Routledge, pp. 39-55.

Turner, Tad. 2003. “The Resonance of the Cubicle: Laptop Performance in Post-digital Musics.” Contemporary Review 22(4), 81-92.

Watson, Allan “‘Running a studio’s a silly business’: work and employment in the contemporary recording studio sector” Area, Vol. 45, Issue 3, 2013

Whelan, Andrew. 2006. “Do U Produce?: Subcultural Capital and Amateur Musicianship in Peer-to-Peer Networks” In Cybersounds: Essays on Virtual Music Culture, edited by Ayers, Michael. New York: Peter Lang, 57-81