COUNTER + SUBCULTURES

Arvidsson, A. “Creative class or administrative class? On advertising and the ‘underground’” Ephemera 

BADER, I. & SCHARENBERG, A.“The sound of Berlin: subculture and the global music industry” International Journal of Urban and Regional Research Volume 34, Issue 1, pages 76–91, March 2010 

Best, Beverly. “Over-the-Counter-Culture: Retheorizing Resistance in Popular Culture.” In The ClubCultures Reader: Readings in Popular Cultural Studies, ed. Steve Redhead, Derek Wynne and Justin O’Connor, 18-35. Oxford: Blackwell, 1997

Bose, M. (2003) “Race and Class in the Post-subcultural Economy” in Muggleton, D& Weinzierl, R. (eds. ) The Post-Subcultures Reader Oxford and New York: Berg Publishers: 167-180.

Duab, J. “The Essence of Raves: A Transfusion of ’60s Counterculture” The Owl 2014

Fraser, A. “The spaces, politics, and cultural economies of electronic dance music” Geography Compass Volume 6, Issue 8, pages 500–511, August 2012 

Greener & Hollands “Beyond subculture and post-subculture? The case of virtual psytrance” Journal of Youth Studies Volume 9, Issue 4, 2006

Hanson, C.F “Pop Goes Utopia: An Examination of Utopianism in Recent Electronic Dance Pop” Utopian Studies Volume 25, Number 2, 2014  pp. 384-413

Hebdige, D. (2005) Subculture: The Meaning of Style in Gelder, K (ed. ) The Subcultures Reader Second Edition London: Routledge: 121-13 1

Hebdige, D. (1979) Subculture: The Meaning of Style London: Methuen. ———– (1987) Cut ‘n’Mix: Culture, Identity and Caribbean Music London: Routledge.

Hesmondhalgh, David. “Subcultures, Scenes or Tribes? None of the Above”. Journal of Youth Studies, Volume 8, Issue 1, March 2005. 21-40. 

Leloup, Jean-Yves “Digital magma: from the utopia of rave parties to the iPod generation” 2010

Manuel, Peter “Music as symbol, music as simulacrum: postmodern, pre-modern, and modern aesthetics in subcultural popular musics”. Popular Music Vol. 14, Issue 02, May 1995 227-239 

Martin, Randy “A Precarious Dance, a Derivative Sociality”. TDR Vol. 56, No. 4, Winter 2012, 62-77 

Muggleton and Weinzierl. “The Subcultures Reader” Oxford: 

O’Grady, Alice  “Dancing Outdoors: DiY Ethics and Democratised Practices of Well-Being on the UK Alternative Festival Circuit” Dancecult Vol 7, No 1 (2015) 

Petiau, Anne  “Free Parties and Teknivals: Gift-Exchange and Participation on the Margins of the Market and the State” Dancecult Vol 7, No 1 (2015) 

Roszak, T “The making of a counter culture: Reflections on the technocratic society and its youthful opposition” 1995 – Univ of California Press

Serazio, M. “The Apolitical Irony of Generation Mash‐Up: A Cultural Case Study in Popular Music” Popular Music and Society Vol. 31, No. 1, February 2008, pp. 79–94

Thornton, Sarah. Club Cultures: Music, Media and Subcultural Capital. London: Polity, 1995.

Turner, Fred “From counterculture to cyberculture: Stewart Brand, the Whole Earth Network, and the rise of digital utopianism”

Weinzierl, R. (2001) “Subcultural Protest in Times of the Pop-Entrepreneur”

Whiteley, Sheila & Sklower, Jedediah “Countercultures and Popular Music“. Ashgate Publishing, Ltd., Surrey: Ashgate. 2014 

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