On this page:
— Geographies, Infrastructures, & Gentrification General
— Music Tourism & Sampling/Collection Cultures
— Global Ghettotech
::: Books :::
Atkinson & Bridge (eds.) “Gentrification in a Global Context: The New Urban Colonialism” 2005
Clark, Terry N. 2004. “The City as an Entertainment Machine”. Amsterdam: Elsevier/JAI. (INTRO)
Smith, Neil “The New Urban Frontier: Gentrification and the Revanchist City” 1996 (pdf)
Brown-Saracino, Japonica (ed.) “The Gentrification Debates: A Reader” 2010
::: Articles and Chapters :::
Byrne, Ben “The Space in Between: Electronic Music’s Occupation of Warehouse Space in Sydney”
Gibson, Chris “Subversive Sites: Rave, Empowerment And The Internet” 2006
Hall, J. (2008) “Mapping the Multifarious: the GenTrification of Dance Music Club Cultures” in Lansdale, J. (ed. ) Decentring Dancing Texts: The Challenge of Interpreting Dances Basingstoke: Palgrave Macmillan: 177-193.
Hill, Desmond. 1999. “Mobile Anarchy: The House Movement, Shamanism and Community.” In Psychedelia Reimagined, edited by Thomas Lyttle. New York: Autonomedia, 95-106.
Luckman, Susan. 2003. “Going Bush and Finding one‘s ―Tribe: Raving, Escape and the Bush Doof.” Contin Journal of Media and Cultural Studies 17(3), 315-330.
Marshall, Wayne “A Whole Nu World?” Wayne & Wax 2010
Pini, Maria. 1997. “Cyborgs, Nomads and the Raving Feminine.” In Dance in the City, edited by Thomas, H. L Macmillan, 111-129.
St John, Graham “Counter Tribes, Global Protests and Carnivals of Reclamation”. Peace Review: A Journal of Social Justice 2004. 16(4): 421-428.
St John, Graham 2013. “Total Solar Eclipse Festivals, Cosmic Pilgrims and Planetary Culture”. In Donna Weston and Andy Bennett (eds) Pop Pagans: Pagans and Popular Music, pp. 126–144. Durham: Acumen.
St John, Graham. 2005. “Off Road Show: Techno, Protest and Feral Theatre.” Continuum: Journal of Media Cultural Studies 19(1), 7-22.
St John, Graham. 2005. “Outback Vibes: Sound Systems on the Road to Legitimacy.” Postcolonial Studies: C Politics, Economy 8(3), 321-336.
Tramacchi, Des. 2000. “Field tripping: psychedelic communitas and ritual in the Australian bush.” Journal Contemporary Religion 15(2), 201-213.
Ueno, Toshiya. 2003. “Unlearning to Raver: Techno-Party as Contact Zone in Trans-Local Formations.” In The Subcultures Reader, edited by David Muggleton and Rupert Weinzierl. Oxford: Berg, 101-117.
Vecchiola, Carla. 2006. Detroit’s rhythmic resistance: Electronic music and community pride. Ph.D. Disserta (American Studies), University of Michigan..
::: Music Tourism & Sampling/Collection Cultures :::
Banneýea, K. (2000) “Sounds of Whose Underground? The Fine Tuning of Diaspora in an Age of Mechanical Reproduction” Theory, Culture & Society 17 (3): 64- 79.
Clayton, Jace “Search and Rescue” Frieze, Issue 117 September 2008
Garofalo, Reebee. “Whose World, What Beat: The Transnational Music Industry, Identity, and Cultural Imperialism.” The World of Music 35, no. 2 (1993): 16-32.
Hutnyk, John Critique of Exotica: Music, Politics and the Culture Industry 2000
Mendes, Ana Cristina “THE BROWN CULTURE INDUSTRY: THEODOR ADORNO MEETS TALVIN SINGH”
Stokes, Martin, “On Musical Cosmopolitanism”. The Macalester International Roundtable Paper 3, 2007
Théberge, Paul. 2003. “‘Ethnic Sounds’: The Economy and Discourse of World Music Sampling, ” in Music and Technoculture, edited by René T.A. Lysloff and Leslie C. Gay Jr., 93-108. Middletown, CT: Wesleyan University Press.
Tucker, Boima “The Scramble for Vinyl” Africa Is A Country September 14th, 2010
::: Global Ghettotech :::
Goodman, Steve “Sonic Warfare: Sound, Affect, and the Ecology of Fear” 2010
Marshall, Wayne. 2007. “Local Ghettotech (vs. Gobbledecrunk)”wayne & wax
Marshall, Wayne. “Nu Planetary Wot-U-Call-It 2.5.5” wayne & wax 2010